“Atawewe Returns to Oshodi with a Bang, Silences Oluomo’s Threats with Music and Message
The atmosphere was electric in Oshodi on Sunday as Ambassador Sulaimon Adio, widely celebrated as Atawewe and pioneer of Dancehall Fuji, made a powerful return to the area—his first major appearance there in a while. His performance was part of the grand celebration of Koko Zaria’s 55th birthday, and it was nothing short of explosive.
But beyond the music, the event carried the weight of a long-standing tension.
Once a close associate of former Lagos NURTW chairman, Musiliu Akinsanya (MC Oluomo), Atawewe had distanced himself after refusing to support Oluomo’s divisive style of leadership. According to reliable insiders, trouble started when Atawewe advised MC Oluomo to lead with fairness and ensure that his subordinates were treated justly. But that advice didn’t sit well with Oluomo, who chose pride and power over peace and partnership.
Their relationship soured, and it wasn’t long before Oluomo allegedly vowed to frustrate any attempt by Atawewe to perform again in Oshodi, a stronghold he considered his personal turf.
But on Sunday, history took a bold turn.
Atawewe returned—not just with drums and dancers, but with a message. His stage presence was magnetic, and his performance electrified the crowd. More importantly, he used his platform not to attack, but to uplift. He preached peace, love, and unity, reminding the people of Oshodi of their shared history and the need to stand as one.
He particularly addressed Taloskibo, urging him to see his return to leadership as a second chance to unite people rather than divide them.
In a heartfelt moment, Atawewe praised the wisdom and maturity of the new Lagos NURTW chairman, Alhaji Mustapha Adio Adekunle (Sego), for restoring calm and unity across factions. He publicly thanked Sego for bridging divides and pledged to continue visiting Oshodi because of the enduring love and loyalty of the people.
This triumphant return not only reaffirmed Atawewe’s relevance and respect in the streets—it also exposed the pettiness of MC Oluomo, whose threats ultimately meant nothing in the face of community love and musical truth.
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